Sunday, February 3, 2013

Etsy Metal Blog Carnival - Photo Tips!


What are your photography secrets?! Any tips, tricks, what works best for you, what doesn't? How often do you photograph your work? Do you have an expensive set-up or a homemade one. Your best piece of advice for photographing jewelry. Show us some of your best photos.

I'm a metal smith. I make jewelry and small sculptural pieces. I'm not a photographer. But I need to take pictures of my work and it's expensive to have to keep paying someone else to do it and I'm not usually happy with the results. So out of necessity, I've had to learn to photograph my work. It's been a long process (and I'm not done yet!) I did take a couple of photography classes in college, but that was a long time ago in the days of actually putting film in your camera.

Early Crappy Photos

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Something that helped a lot was taking a lighting class from a local photographer. A lot of simple, inexpensive tricks, using a plastic milk carton to filter the light, frosted plexiglas, elevating the piece on a piece of glass with some texture below that will be out of focus. Also to think about unusual props. (Although I did just order some lights and a light tent.)
I looked at a lot of other people's photos, asked how they did it. Lighting is really important and shooting in daylight can be really good. Indirect lighting.
 Read books, read blogs, experimented - a lot. Doing Ring-A-Day was really helpful. I know that if you keep doing something every day, you start to figure things out and get better at it. I had to take at least 1 picture a day, and that really helped step up the game.
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It's really about paying attention to the details before you take the picture. Where's the reflection, is there too much glare, is there dirt on background, what's in focus - what's not.
I shoot in RAW format. I like that because I can adjust the white balance in the RAW program instead of my camera. That way I don't have to remember where the AWB button is or spend an hour looking for it in the manual. And I can save the photo as a big file and refer back to it if I need the picture in different formats.
For when I need a quick photo... like for Brooch A Day... I shoot my brooches mostly on a piece of frosted white plexiglas to get a good contrast of the image so I can add a gradient background in PhotoShop. I also use frosted white plexiglas as a filter on the 2 side lights and top light.
It's hard with jewelry, because what works well with one piece doesn't necessarily work well with others. I use PhotoShop to add backgrounds, adjust the exposure, contrast and clean up any dirt and dust. The one thing I'd really like to learn is to do gradients using lighting and the camera... my brain can't seem to get a grip on that yet!

To see more photography tips, check out other
Etsy Metal members here:
Lou Hunter
Laura Jane Bouton
2Roses 
Chrysoula
Nodeform
Deborah Lee Taylor
Abella Blue

Thursday, January 31, 2013

BAD-2013 30/365

BAD-2013 30/365 by markasky
BAD-2013 30/365, a photo by markasky on Flickr.

Brooch A Day combined with Etsy Metal Monthly Theme - Pop Art.
A combination of Andy Warhol, Roy Lichtenstein, and Batman.
Copper, vitreous enamel (torch-fired), glass beads, rubber stick-on letters.

Saturday, January 19, 2013

BAD-2013 18/365

BAD-2013 18/365 by markasky
BAD-2013 18/365, a photo by markasky on Flickr.

more experimenting on pocket protectors with new enamels. This is opal horizon blue.

Wednesday, January 16, 2013

BAD 2013 16/365

BAD 2013 16/365 by markasky
BAD 2013 16/365, a photo by markasky on Flickr.

More experimenting with new enamels on some sort of brooch type thing!
I like to call this a "Pocket Brooch" or for my nerdier side a "Pocket Protector Brooch." Designed to slip into a pocket.
This is opalescent chartreuse enamel, torch-fired over plain copper. Quickly becoming one of my favorite enamels!

BAD 2013 15/365

BAD 2013 15/365 by markasky
BAD 2013 15/365, a photo by markasky on Flickr.

I just got some new enamels! So thought I would experiment with them while putting them on some sort of brooch type thing!
I like to call this a "Pocket Brooch" or for my nerdier side a "Pocket Protector Brooch." Designed to slip into a pocket.
This is opalescent turquoise enamel, torch-fired over plain copper on the left and over white enamel on the right.

Monday, November 5, 2012

Why Do I Make Jewelry?

It's that time of month again... The Etsy Metal Blog Carnival!

This month's question is "Why Do I Make Jewelry?"

I have a BFA in sculpture and did metal sculpture and some jewelry in college, a long long time ago.    
But, I've made art all my life. I've made lots and lots of different art... printmaking, calligraphy, sign painting, clay, silk painting, metal sculpture, photography, drawing, ... 
I don't really think I have a choice, I have to make something.

So about 10 years ago I ventured back into working with metal and enamels and making jewelry. And I felt like I had come home. I absorbed everything I read and learned in workshops and it stuck. It was as if I already knew all of this stuff, I had just forgotten. 

It was different than making something to hang on a wall. Jewelry is more alive: it moves; it's 3-dimensional; it's noisy; you are allowed to touch it, as a matter of fact you have to touch it. I have a hard time going to a museum or a gallery to look at paintings and sculpture and not being allowed to touch them... I do it anyway!

 The other thing that appeals to my ADD nature, is that just about any art that you can do, you can do on jewelry, like painting, drawing, calligraphy, small sculpture, photography... so I feel like I'm not missing out on anything.

Why do other Etsy Metal members make jewelry?

 Cynthia Del Giudice 
 Laura Jane Bouton
 silentgoddess 
 Beth Cyr 
Peculiar Forest 
Tosca TerĂ¡n 
 Nodeform 
Mary Anne Karren
My Precious Studio
 Deborah Lee Taylor
Anne Walker
Andrea Ring 
Gracebourne Design  
 Danielle Miller 
 Inbar Bareket 
 Jewellietta 
 Abella Blue